One of my sharpening techniques by Phillip Tomkinson
Hi I will make the assumption that you already have a calibrated monitor and calibrated workflow whether it be SRGB or ARGB1998, I shoot with Nikon equipment so some of the steps may not be relevant to Canon users.
All my equipment my monitor my printer the colour space in which I work in within Photoshop is ARGB1998, I calibrated my monitor with a spider to D65 a gamma of 2.2 if you look on dp preview at some of their test there is a greyscale at the bottom of the screen I can clearly make out all 26 shades with white being white and black being black.
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Conclusion
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calibrate their monitors using Colour Vision OptiCal at the (fairly well
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After downloading my images from the card to my computer I have a quick scan through using Nikon view. I select a image and then open it in Nikon capture 4.4 usually, but I also use Bibble pro & NX, different raw converters give subtle differences on how they decode the NEF, for the remainder of this article I will use Nikon capture 4.4 and Photoshop 7.01.
I must point out that at this stage
that all Camera settings originally are set to either off or their lowest
settings i.e. no sharpening no contrast no saturation.
As you can see below this is a image (1) that I have opened in Nikon capture I have left some of the menus open so that you can see the settings that I have applied to the NEF from this stage I just take it straight into Photoshop 7. As a 16-bit Tiff but depending on what I am doing with the image I may save it as a 8-bit tiff.
(1)


Image number 2 which is above is the image from NC 4.4 opened in photo shop and a basic amount of sharpening applied to the whole image (I must point out that this stage this is not a particularly sharp image but was chosen for the purpose to show the biggest difference after sharpening) my next step after sharpening is to go to select all and then copy & paste which automatically creates a new layer in photo shop.

The new layer is automatically
selected as you can see on the right, which is highlighted in blue I then go to
the lasso tool and select the area I wish to sharpen I have the selected area
feathered between 35 and 50 then invert the selection.

I then go to the eraser tool and erase the inverted selected area see below I have switched the primary layer of for ease of viewing then still on this selected layer go to the filters menu and select the highpass filter
(4)

Then apply this filter I have mine set to about 4.4 but feel free to experiment, in the image below left you will see I have selected a 2nd menu from the layers in this menu you need to select overlay.
You now may reactivated the bottom layer which will give you a image that looks like the one on the right below to switch layers on and off in photo shop you click on the little eye icon that is to the left of the menu of that particular layer. (I hope that make sense), now the top layer which is highlighted in blue you can adjust the opacity and fill amount to your liking you can also sharpen this layer thus giving it more edge definition i.e. apparent sharpness.
On the background layer i.e. the first layer number (7) you can see I have selected it by the blue band in the menu this layer you can apply your noise reduction to whether it needs it or not as this will give you your separation I have used noise reduction pro in this instance image (8) but any will do.

(7) (8)

Once this filter has been applied you save the image as a copy, you have your original image that has not been processed other than in Nikon capture in my case, and you have your processed image with the same file name but with copy after it, saved to wherever you save your processed images to, for convenience I did all the post processing work in 8-bit also Photoshop 7 only allows certain things to be done in 16-bit.
I hope you have found this of some use, to get the best out of your equipment, your images, and your time it is always worth spending a few days experimenting.
All the best,
Image before sharpening

Image after sharpening
